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As a pretty big DC Comics geek, so I went to see The Dark Knight on opening day. I've been eagerly awaiting the film since Batman Begins and it just felt forever for the film to finally make it to the movie theaters. What made it worst, was I picked up the Batman Bluray and saw the first six minutes of the film, which made waiting for the movie even more unbearable!
So after watching it, I definitely wasn't disappointed. I thought maybe at the end, there was an over usage of sweeping orchestral music that seems to overpower the dialogues spoken. Maybe even Christian Bale's Batman voice is sometime over dramatic and the Gotham mafia is a joke, the movie is still pretty awesome.
By the way, I'm actually kind of surprise that with all the violence in the film, it was still Rated PG-13. I guess the rating board have laxed over the years, but if this movie was released in the 80s, it would've been slap with an R.
I'm sure all the critics will tell you what a wonderful villain Heath Ledger's Joker was. He was pretty frightening in the role, and I'm kind of sad that this will be his last role. In some ways, I hope they don't bring back the Joker in future films, especially if future actors won't be able to carry on the craziness of what Ledger brought.
Anyway, before I let spoilers slip, I'll just keep this short and sweet. Here are some Batman music.
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A couple of comments: I've previously mentioned Hans Zimmer and Danny Elfman before, so check those out. The "Batman TV Theme" was redone, possibly in the late 60s by an outfit called The Dynamic Batmen. I've always loved this surf theme song, but it doesn't seem to suit the seriousness of what Batman should be. It is a fun song and I guess reflect the feel-good theme of the Adam West show.
Prince's "Batdance (Vicki Vale remix)" and had heavy sampling from the 1989 Batman movie. It is, as they say, funky, I didn't think belong in the "grim" and "gothic" Tim Burton film. However, Siouxsie and the Banshees' "Face to Face" fit quite well in the sequel Batman Returns. What a great single! Rounding out is R Kelly's "Gotham City", from the disaster that is known as Batman & Robin.
Links:
www.benatar.com
thedarkknight.warnerbros.com
hans-zimmer.com
oingoboingo.com
With a noise like the last half inch of milkshake, Sherbert slurps off my boob, grunts happily and lies back on my lap to gaze at me in wonder, a small dribble of milk running down into his chins.
"Look at him looking at you!" clucks my mother, "He loves his mummy!"
"Nah," says my brother, "He's just wondering why that boob's got a head."
Not Stephen. Not Steven. Just Steve. For blokes of a certain age this name is perfectly fine. But for a baby?
I mean, who on Earth would? Apart from the most sycophantic party wonk hoping it'll get them ahead somehow.
This is for Mosh and because I thinks it's brilliant (thanks to Dan for pointing it out)
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07/18/08 Chicago, IL House Of Blues
Album Discography
07/19/08 Goshen, IN Elkhart County 4-H Fair 07/21/08 Council Bluffs, IA Harrah's Casino - Stir Concert Cove 07/26/08 Oakville, CA Robert Mondavi Winery 07/27/08 San Francisco, CA The Fillmore 08/01/08 C Mesa, CA Pacific Amphitheatre 08/02/08 Primm, NV Star of the Desert Arena 08/03/08 San Diego, CA Humphrey's Concerts 08/05/08 Saratoga, CA The Mountain Winery 08/09/08 Aspen, CO Belly Up Aspen 08/10/08 Colorado Springs, CO Pikes Peak 08/11/08 Beaver Creek, CO Vilar Center 08/14/08 Silverton, OR Oregon Garden 08/15/08 Tacoma, WA Emerald Queen 08/16/08 Richmond, BC River Rock Casino 08/17/08 Coquitlam, BC Red Robinson 08/19/08 Medicine Hat, AB Esplanade 08/20/08 Regina, SK Casino Regina Show 08/22/08 ON Thunder Bay Comm Auditorium 08/23/08 MN Grand Casino Hinckley 08/24/08 Sault Ste Marie,MI Kewadin Casino 08/26/08 Verona, NY Turning Stone Casino 08/27/08 Jim Thorpe, PA Penn's Peak 08/29/08 Lincoln, RI Twin River Casino 08/31/08 Bridgeport, CT Klein Memorial Aud 09/05/08 CA Chukchansi Gold Casino 09/06/08 Rancho Cucamonga, CA Lewis Family Playhouse
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I'm probably not qualify to write this article, as I thought I only knew a few popular songs ("Love is a Battlefield" and "Heartbreaker") from Pat Benatar, a pop singer who dominated the American charts in the 80s, but after giving Pat Benatar: Ultimate Collection 2-CD album a listen, I can tell you that I was familiar with a lot of her works!
Her songs, especially the early pop rock hits, reminds me a lot of Patty Smyth in Scandal, both having strong female vocals backed by a tight band, rocking out to music themes such as the heat of the night, children of the street, belonging to something, and promises of love.
There are many good songs on this collection, but I will only be mentioning a few stand-out tracks. "Heartbreaker", her major-hit debut single, originally released in 1979 from her album, In the Heat of the Night.
"Hit Me With Your Best Shot", I've always thought it was an Olivia Newton-John song. Imagine my surprise when I found out that this was a big hit for Benatar!
I was also surprise to hear "I Need a Lover", a John Cougar Mellencamp song! Her take on it emphasized more on her aggressive girl vocals.
"Love is a Battlefield", gives new meaning to synchronized dancing by runaways. I think the cheesy music video to this song, more or less, made the song really popular in the 80s. A little bit of trivia, this original release was on a live album called Live From Earth (1983). Out of this live album are two studio tracks, the battlefield song and "Lipstick Lies".
While the first disc covers most of her singles from her first five studio albums (1979-1983), the second disc covers the rest of her career, but only from her former record label, Chrysalis Records (1984-1993). What's interesting to note is her shift from rocker to a more mellow pop and even jazz, on such classic songs like "We Belong" (this sounds like a Journey song), and the jazzy "True Love" (lots of piano and brass instruments on this one).
It is kind of nice to see Benatar dipping into different genres outside of pop (she even does blues on "Payin' the Cost to Be the Boss"), I suppose it's a sign that she was growing up in those later years. We're talking about thirty year's worth of music, although looking at her discography, there are huge gaps after 1993 that suggests she's in semi-retirement of recording original music? Her last album, Go, came out in 2003, but perhaps with this latest tour and Ultimate Collection that was just released might spark some interest to get her back to the studio?
Ultimate Collection is really meant for casual and new fans, but I think it will also appeal to hardcore fans, as it does a wonderful job compiling Benatar's hits with some misses. The forty songs on two CDs (and official digital tracks), with half of it were top 40 hits. For new fans, this is a great way of getting all these songs for a reasonably low price.
To coincide with the album release (June 24th from Capitol/EMI Records and can be found at all major record stores), Benatar went on tour since May. She's currently just finished up Knoxville, Tennessee, and probably heading to your town. If possible you should see her do live rendition of all her hits.
Links:
www.benatar.com
benatarfanclub.com
myspace.com/officialpatbenatar
The George Eastman House has put some of its photographs into the flickr commons, and I've been having a trawl through two sets of them. Here are three I particularly liked.
This chap captures another side to male fashion. Somewhat more louche, and yet still pleasing to the eye. After all, the ladies love a rogue. Withnail, is that you?
It's a monkey riding a rhino. If you don't like this then I humbly suggest you need your head examining.
To Pret for a rare treat lunch. I have (had - burp) a ham and egg sarnie, a cappucino - with not one but two sugars - and a chocolate bar. Added to this are an apple and a pack of Frazzles from home. For the missus a chocolate cake and a hot chocolate. Well, she is eating for two.
Last night I discovered that if I take extra thick Jersey cream, as well as chocolate with added cocoa butter, plus butter, and mix it all together, I do not end up with nice truffle mixture. I end up with a split, greasy mess. Fortunately Big Boy's working from home today and has agreed to make batch number two ready for the truffle preparation tonight.
Last night I also dreamed rather a lot about cake. Chocolate cake, chocolate brownies (£150 a cake apparently). No misc other, just cake. I really could do with some cake.
Next week a friend who I haven't seen or spoken to in ten years is coming to London. Suggestions for topics of conversation so far include:
1. So, ten years, you've grown!
2. How's the PhD going?
3. All about my PhD (til she gets bored)
4. What's brought you down to London?
5. Sorry I didn't invite you to my wedding or get in touch when your mother died. (scrap this option)
6. Um... So shall we go and get drunk?
I'm nervous, not least because I'm not the most talkative of people at the best of times and it's been so long, but I really am very much looking forward to seeing her. Is she going to ask me why we lost touch (which was down to me)? I hope not, and I kind of wish we hadn't.
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07/18/08 Ed Fest -w- Collective Soul Edmonton, Alberta
07/24/08 Les Saints -w- Missy Higgins Montreal, Quebec 08/05/08 Sudbury Arena -w- Avril Lavigne Sudbury, Ontario 08/06/08 Molson Amphitheatre -w- Avril Lavigne Toronto, Ontario 08/16/08 V-Fest UK Staffordshire, UK 08/17/08 V-Fest UK Chelmsford, UK 09/06/08 V-Fest @ Toronto Island Toronto, Ontario |
You wouldn't think The Midway State (MySpace) would be as good as they are...at least, not if you let some of the information provided on the one-sheet for their upcoming debut album, Holes, influence you. First of all, they were signed to Interscope Records, those wonderful industry giants who have brought you the likes of Soulja Boy and Queens of the Stone Age, by label president Jimmy Iovine himself. Strike one. They worked with "Stevo" from SUM 41 on the video for their second single. Strike two. Finally, they recorded their album with "multi-platinum producer" Gavin Brown, best known for his work with...Three Days Grace?! Strike three--get the hell outta the....
But wait. Have you actually listened to their stuff yet?
When you do, you'll find yourself kicking yourself in the ass for letting assumptions get the better of you. The Midway State are a great band, and if Holes is any indication, they've got quite a career ahead of them and, quite frankly, I'm glad they're signed to a label as big as Interscope, because they deserve to be widely heard. The world of mainstream pop/rock is in desperate need of an infusion of good, solid music that is both palatable to a wide range of listeners but is still creative and full of heart. The Midway State bring a refreshing shower of good ol' rock-n'-roll rich in melodies and sensitive lyrics to the desert of pop radio, but still evince enough "indie cred" in their music to attract the SXSW crowd.
In 2001, while still in highschool in Collingwood, Ontario, pianist/frontman Nathan Ferraro and longtime friend and drummer Daenan Bramberger teamed up with bassist Adam Beamish and guitarist Ryan Horning to form Midway State. After an inaugural tour that drew some well-earned attention, the four fellas moved to Toronto in hopes of Making It Big. After being noticed by producer Gavin Brown, the band replaced Beamish and Horning "after much debate" (read that however you like) with bassist Mike Kirsh and guitarist Michael Wise. The group then set out refining their sound, touring, and producing two EPs, 2006's Eponymous and 2007's Met a Man on Top of the Hill, the latter of which featured their first single, the incredibly radio-friendly "Change For You." Considering their history, it's very tempting to think of the band as just another "made for radio" Future One-Hit Wonder. But Holes, the band's first full-length album (which also features "Change For You"), is a legitimately good album that proves the praise the band's EPs have earned is more than warranted.
Vocalist and pianist Ferraro freely admits that he loves Coldplay and Snow Patrol (as well as Peter Gabriel, Cat Stevens, and even Carole King), and Holes captures the piano-driven sound of Coldplay's A Rush of Blood to the Head without sounding derivative. In fact, though the Coldplay influence is obvious, The Midway State's sound is clearly inspired by the dramatic songwriting of the aforementioned Cat Steves and Carole King, and as such has a prominent '70s pop-rock feel to it--a sound familiar to fans of bands like Rooney and the Pernice Brothers. Each song is primarily built around lead melodies courtesy of Ferraro's expert piano riffs and Wise's catchy guitar lines, but regardless of the slick basslines and rockin' beats, Ferraro's gorgeous baritone voice and tender, personable lyrics are the main attractions, especially in songs like album-opener "Never Again" and the positively-beautiful "Nobody Understands." For some strange reason, I've heard The Midway State called emo...and though their songs are indeed built around melodies and lyrics that carry a lot of emotion (which gives them that magic authenticity that ensures listeners will relate to them on a personal level and therefore take them into their hearts), there is none of the overwrought hysteria and whiny melodrama that defines "emo" evident in even the album's most heavy-hearted numbers, "Nobody Understands"--which quite literally explains every relationship I've ever been in--and "Can't Stop Waking Up To You." Instead of crocodile tears and teenage poetry, Ferraro's lyrics capture the same artful truth of Peter Gabriel's "In Your Eyes," which is something that everyone from lovelorn teenagers to twice-married adults can identify with.
In fact, after listening to this album, I've become a fan of Gavin Brown's production despite his association with Three Days Grace. This is a perfectly-produced album. Unlike Coldplay's A Rush of Blood to the Head, the piano leads do not sound weak and badly-EQed, but have the same robust sound you'd expect to hear live. The drums mesh seamlessly with the basslines, and the guitars are pristine. Best of all, Ferraro's vocals are always crystal-clear in the mix without dominating the music.
All-in-all, this is simply a great album that has songs to match every mood. I highly recommend it.
Oh, and here's a little interesting fact about the band: Nathan Ferraro, like me, is synaesthetic--that is, he hears colors and sees sounds. Says Ferraro, "Every song that really resonates with me comes coupled with a distinct colour palette. When I listen to any song on Holes I see a different shade. 'Nobody Understands' is dark rose red, 'Never Again' is a saturated royal blue. At least, I think so...the irony is I'm also red-green color blind, so who knows really!" Well, sir, you're absolutely right: "Nobody Understands" is indeed a lush, velvety red (shot through with tones of deep blue generated by the introductory synth-pad melody) and "Never Again" is definitely a deep blue, though my brain sees the lead guitar riff as a scintillant rusty orange. Needless to say, this is a great album for synaesthetes: the color/sound texture varies widely from song to song, which adds an extra dimension of pleasure for those of us with crosswired brains!
The Midway State are currently touring Canada, but will also be playing two dates in the United Kingdom this August. Check 'em out!
Editor's Note: Holes is on limited release July 22nd, a full official release in September. -Vu 7/17/08 10:06 PM